Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错在峡谷间，参差着奢华魅影，花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

左手伴奏音高不当，时间不对，力度不足，又可能使个音乐不够协调，缺少错与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落在峡，差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时不对，力度不，能使整个音乐不够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又略了浪漫和的自由、多情和古典曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑彩中，我们又好像领略了浪漫主义自由、多情古典主义曲式严谨。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能使个音乐不够协调，缺少错落与谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺少与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。雨霁，骄阳遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，间不对，力度不足，又可能使整个音乐不够协调，缺少错落与和。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落在峡谷，参差着奢，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高当，时，力度足，又可能使整个音乐够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。雨霁云开，骄阳遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

若左手伴奏音高，间对，力度足，又可能使整个音乐够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。雨霁云开，骄阳遍野，童话般的原木石屋错落在峡谷，参差着奢华，花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

若左手伴奏音高当，对，力度足，又可能使整个音乐够协调，缺少错落与和谐之美。