Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为最弱音分音符伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国农民在市场经济大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上“泥腿”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上的“”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为最弱六分符伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国农民在市场经济大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为的十六分符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的市场经济的大潮中也逐渐自然人转变为理性经济人，是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为的十六分符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的市场经济的大潮中也逐渐自然人转变为理性经济人，是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

中国的农民在市场经济的大潮中也逐渐自然人转变为理性经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低音管接着发出安静的折信号，带出了漫游式的钢琴主题。同时钢琴最弱音的十六分音符的伴奏。

Chinese farmers have changed from natural man to rational economic man gradually in the tide of the market economy，which is no longer “bolar man” in the traditional sense.

国的农民在市场经济的也逐渐自然人理性经济人，而不再是传统意义上的“泥腿子”。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法文‘ressentiment’，并试着把它艺术的术语,也就是行话。