The speaker adverted to the need of more funds.

这位演说人论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但法‘ressentiment’，并它转变为艺术的术语,也就是行话。

The speaker adverted to the need of more funds.

这位演说人论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

The speaker adverted to the need of more funds.

这位演说人需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

The speaker adverted to the need of more funds.

这位演说人论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画作的真正伟大。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

采常论及“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变为艺的语,就是行话。

The speaker adverted to the need of more funds.

这论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

The speaker adverted to the need of more funds.

这位论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变为艺术的术语,也就是行话。

The speaker adverted to the need of more funds.

这位演说人论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤”（resentment）,使用法‘ressentiment’，并试着变为艺术的术语,也就是行话。

The speaker adverted to the need of more funds.

这位演说人需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有他画作的真正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变的语,也就是行话。

The speaker adverted to the need of more funds.

这位演说人论及需要增加资金问题。

This book tells you nothing about the true greatness of his paintings.

这本书完全没有论及他画正伟大之处。

Nietzsche speaks often of resentment but uses the French for ressentiment, in an effort to turn it into a term of art - that is, a technical term, a piece of jargon.

尼采常论及“愤懑”（resentment）,但却使用法‘ressentiment’，并试着把它转变为艺术术语,也就是行。