I managed to get there by a series of stealthy movements.
我通过一连串悄无声息动作设法到达了那
。
I managed to get there by a series of stealthy movements.
我通过一连串悄无声息动作设法到达了那
。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声静伴著汝
生灵, 沉默成了最后离别
措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为你哭泣过,安静,无声
,伤心
,在岁月无法触
,
花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术韵律化,可以说是书法艺术最重要
本质特征,即所谓
“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)无声观众,是由三重
根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件观点;若发现问题,欢迎向我们指正。
I managed to get there by a series of stealthy movements.
一连串悄无声息的动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声的静伴著汝的生灵, 沉默了最后离别的措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少为你哭泣
,安静的,无声的,伤心的,在岁月无法触摸的角
里,玫瑰花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术的韵律化,可以说是书法艺术最重要的本质特征,即所谓的“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)的无声观众,是由三重的根拿斯(部)
:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源自动生,部分未经
人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向
们指正。
I managed to get there by a series of stealthy movements.
我通过一无声息的动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声的静伴著汝的生灵, 沉默成了最后离别的措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为你哭泣过,安静的,无声的,伤心的,在岁月无法触摸的角里,玫瑰花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术的韵律化,可以说是书法艺术最重要的本质特征,即所谓的“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)的无声观众,是由三重的(部署)组成:萨特瓦,拉杰
和塔玛
(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
I managed to get there by a series of stealthy movements.
我通过一连串悄声息的动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 声的静伴著汝的生灵, 沉默成了最后离别的措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为你哭泣过,安静的,声的,伤
的,在岁
法触摸的角
里,玫瑰花
老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术的韵律化,可以说是书法艺术最重要的本质特征,即所谓的“声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)的声观众,是由三重的根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
I managed to get there by a series of stealthy movements.
我通过一连串悄无息
动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无伴著汝
生灵, 沉默成了最后离别
措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为你哭泣过,安,无
,伤心
,在岁月无法触摸
角
里,玫瑰花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术韵律化,可以说
书法艺术最重要
本质特征,即所谓
“无
之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
帕克提(物质或自然)
无
观众,
由三重
根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件
观点;若发现问题,欢迎向我
指正。
I managed to get there by a series of stealthy movements.
我通过一连串悄无声息的动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声的静伴著汝的生灵, 沉默成了最后离别的措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为过,安静的,无声的,伤心的,在岁月无法触摸的角
里,玫瑰花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术的韵律化,是书法艺术最重要的本质特征,即所谓的“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)的无声观众,是由三重的根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
I managed to get there by a series of stealthy movements.
我通过一连串悄无声息的动作设法到达。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声的静伴著汝的生灵, 沉默成最后离别的措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为你哭泣过,安静的,无声的,伤心的,在岁月无法触摸的角,玫瑰花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉艺术的韵律化,可以说是书法艺术最重要的本质特征,即所谓的“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质)的无声观众,是由三重的根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
I managed to get there by a series of stealthy movements.
我通过一连串悄无声息的动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声的静伴著汝的生灵, 沉默成了最后离别的措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
我为你哭泣过,安静的,无声的,伤心的,在岁月无法触摸的角
里,玫瑰花心渐渐老去。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
摘要视觉的韵律化,可以说是书法
最重要的本质特征,即所谓的“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)的无声观众,是由三重的根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
I managed to get there by a series of stealthy movements.
我通过一连串悄无声息动作设法到达了那里。
Disrelation I The whisht went with the spirit of thee. Dumbness is my last verbalism of leave.
互不相干 I 无声静伴著汝
生灵, 沉默成了最后离别
措词。
At laest I was blubber for you pacific silent as the grave and heartrending in year incapble touch corner that rose intention filter always.
至少我为你哭泣过,安静,无声
,伤心
,
月无法触摸
角
里,玫瑰花心渐渐
。
The rhythmization of the visional art, also called the "silent voice", can be considered as the most important trait of the calligraphic art.
要视觉艺术
韵律化,可以说是书法艺术最重要
本质特征,即所谓
“无声之音”。
They are the silent spectators of prakrti (matter or nature), which is composed of three gunas (dispositions): satva, rajas and tamas (steadiness, activity and dullness).
它们是帕克提(物质或自然)无声观众,是由三重
根拿斯(部署)组成:萨特瓦,拉杰斯和塔玛斯(坚定性,活跃性和纯度)。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件观点;若发现问题,欢迎向我们指正。