However, the demilune image should be recognized as an independent image.

新月可以从月亮中独立出来成为独立的。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗人就其许多想又回到了十七世纪极抽派诗人的诗中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，，矛盾修饰法，交错法等，而使情诗“憾”描写得扣人心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并极力鼓吹“主义”而后又热于“旋涡主义”的漫长过程足以显示出庞德在诗歌领域所做出的不懈努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立的意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派其许多想象又回到了十七世纪极抽象派的意象中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，使情“憾”描写得扣心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并极力鼓吹“意象”后又热衷痴迷于“旋涡”的漫长过程足以显示出庞德在歌领域所做出的不懈努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派就其许多想象又回到了十七世纪极抽象派意象中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“”，如谈话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，而使情“”描写得扣心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并极力鼓吹“意象主义”而后又热衷痴迷于“旋涡主义”漫长过程足以显示出庞德在歌领域所做出不懈努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立的意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗就其许多想象又回到了十七抽象派诗的意象诗中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，而使情诗“憾”描写得弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并力鼓吹“意象主义”而后又热衷痴迷于“旋涡主义”的漫长过程足以显示出庞德在诗歌领域所做出的不懈努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立的意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗人就许多想象又回到了十七世纪极抽象派诗人的意象诗中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述“”，话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，而使情诗“”描写得扣人心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

发起并极力鼓吹“意象主义”而后又热衷痴迷于“旋涡主义”的漫长过程足以显示出庞德在诗歌领域所做出的不懈努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月可从月亮独立出来成为独立的体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗人就其许多想又回到了十七世纪极抽派诗人的诗。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，，矛盾修饰法，交错法等，而使情诗“憾”描写得扣人心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并极力鼓吹“主义”而后又热衷痴迷于“旋涡主义”的漫长过显示出庞德在诗歌领域所做出的不懈努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗人就其许多想象又回到了十七世纪极抽象派诗人意象诗中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，而使情诗“憾”描写得扣人心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并极力鼓吹“意象主义”而后又热衷痴迷于“旋涡主义”漫长过程足以显示出庞德在诗歌领域所做出努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗人就其许多想象又回到了十七世纪极抽象派诗人意象诗中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，而使情诗“憾”描写得扣人心弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并极力鼓吹“意象主义”而后又热衷痴迷于“旋涡主义”漫长过程足以显示出庞德在诗歌领域所做出努力和伟大贡献。

However, the demilune image should be recognized as an independent image.

新月意象可以从月亮意象中独立出来成为独立的意象体。

The modern poets have gone back to the fanciful poems of the metaphysical poets of the seventeenth century for many of their images.

现代派诗就其许多想象又回到了十七抽象派诗的意象诗中。

Edward Hirsch successfully and skillfully uses many language devices in his love poem“REGRET”including figurative languages, sppech styles, enjambment, metaphors, images, oxymoron, and chiasmus.

摘要爱德华赫胥巧妙地运用语言技巧来描述其作品“憾”，如谈话型态，跨句连接，隐喻，意象，矛盾修饰法，交错法等，而使情诗“憾”描写得弦。

He showed unprecedented enthusiasm and made huge contributions to Imagism and later Vorticism movements.Cathay, published in 1915, was the very product of Imagism movement.

其发起并力鼓吹“意象主义”而后又热衷痴迷于“旋涡主义”的漫长过程足以显示出庞德在诗歌领域所做出的不懈努力和伟大贡献。