Hello! This is Nelson speaking?

喂!我是尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上坛，并把大量当代列人演奏曲目，尽管他极其讲究调，不大喜欢当代。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上舞台，同时编排了当代曲目，尽管他这个对调极其讲究的但对当代并不喜欢。

Hello! This is Nelson speaking?

喂!我是。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和的作品重新搬上坛，并把大量当代人演奏曲目，尽管他极其讲究调，不大喜欢当代。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和的作品重新搬上舞台，同时编排了当代曲目，尽管他这个对调极其讲究的家但对当代并不喜欢。

Hello! This is Nelson speaking?

喂!我是尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

把马勒和尼尔森的作品重新搬上坛，并把大量当列人演奏曲目，极其讲究调，不大喜欢当。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

把马勒和尼尔森的作品重新搬上舞台，同时编排了当曲目，这个对调极其讲究的家但对当并不喜欢。

Hello! This is Nelson speaking?

喂!我是尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他马勒和尼尔森的作品重乐，大量当代音乐列人演奏曲目，尽管他极其讲究调，不大喜欢当代音乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他马勒和尼尔森的作品重舞台，同时编排了当代音乐曲目，尽管他这个对音调极其讲究的音乐家但对当代音乐不喜欢。

Hello! This is Nelson speaking?

喂!我是尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上乐坛，并把大量乐列人演奏曲目，尽管他极其讲究调，不大喜欢乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上舞台，同时编排了乐曲目，尽管他这个对调极其讲究的乐家但对乐并不喜欢。

Hello! This is Nelson speaking?

!尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上乐坛，并把大量当代乐列人演奏曲目，尽管他其讲究，不大喜欢当代乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森的作品重新搬上舞台，同时编排了当代乐曲目，尽管他这个对其讲究的乐家但对当代乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是尼尔森。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森重新搬上乐坛，并把大音乐列人演奏曲目，尽管他极其讲究调，不大喜欢音乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼尔森重新搬上舞台，同时编排了音乐曲目，尽管他这个对音调极其讲究音乐家但对音乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是尼。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼作品重新搬上乐坛，并把大量乐列人演奏曲目，尽管他极其讲究调，不大喜欢乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和尼作品重新搬上舞台，同时编排了乐曲目，尽管他这个对调极其讲究乐家但对乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和的作品重新搬上乐坛，并把大量当代音乐列人演奏曲目，尽管他极其讲究调，不大喜欢当代音乐。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和的作品重新搬上舞台，同时编排了当代音乐曲目，尽管他音调极其讲究的音乐家但当代音乐并不喜欢。

Hello! This is Nelson speaking?

喂!我是。

He revived the works of Mahler and Nielsen and programmed much contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和的作品重新搬上坛，并把大量当列人演奏曲目，尽管他极其讲究调，不大喜欢当。

He revived the works of Mahler and Nielsen and programmed such contemporary music, even if he, a dedicated tonalist, was uncomfortable with it.

他把马勒和的作品重新搬上舞台，同时编排了当曲目，尽管他这个对调极其讲究的家但对当并不喜欢。