The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞杂技演员……）和一个穿丝绸独舞女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代唐朝，唐太宗身边还有一个谏臣魏征，魏征存在不会使唐明皇失色，正是他们和所有那个时代大家构成了盛唐辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞杂技演员……）和一个穿丝绸独舞女性舞蹈演员展示了墩壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代唐朝，唐太宗身边还有一个谏臣魏征，魏征存在不会使唐明皇失色，正是他们和所有那个时代大家构成了盛唐之音。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏朝代，当驼运载着货物通过丝绸路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的朝，太宗身边还有一个谏臣魏征，魏征的存在不会使明皇失色，正是他们和所有那个时代的大家构成了音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的朝，太宗身边还有一个谏臣魏征，魏征的存在不会使色，正是他们和所有那个时代的大家构成了盛之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇，是他们和所有那个时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技员……）和一个穿丝绸独的女性员展示了墩煌壁画，它绘画于魏唐朝，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间友好往来可以追溯到。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞杂技演员……）和一个穿丝绸女性蹈演员展示了墩煌壁画，它绘画于魏代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代，宗身边还有一个谏臣魏征，魏征存在不会使明皇失色，正是他们和所有那个时代大家构成了盛之音辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明，正是他们和所有那个时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间友好往来可以追溯到朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞杂技演员……）和一个穿丝绸独蹈演员展示了墩煌壁画，它绘画于魏朝，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时朝，太宗身边还有一个谏臣魏征，魏征存在不会使明皇失色，正是他们和所有那个时大家构成了盛之音辉煌。