History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿王冠”，在谈及几十个镶宝石上人物画面时，指出这个统治者是一个“虚亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶构成静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解成了一个一个场景。其视觉效果特别令赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿王冠”，在谈及几十个镶着宝石上着彩釉画面时，指出这个统治者是一个“虚构亚洲”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构的静止舞台造型罢。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解个个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，只食虫莺为樱花盛开的生动场面增添点黄金。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构的静止舞台造型罢。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开的生动场面增添一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开的生动场增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解成了一个一个场景。其视觉效果特别令赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开的生动场增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的物画时，指出这个统治者是一个“虚构的”。

History is nothing more than a tableau of crimes and misfortunes.

历史不过是由罪恶和灾难构成的静止舞台造型罢了。

Paradjanov divides his film into a series of tableaux. It is still very watchable for its bewitching visuals.

帕拉杰诺夫把影片分解成了一个一个场景。其视觉效果特别令人赏心悦目。

A prothonotary warbler adds a splash of gold to a tableau of cherry blossoms along the Tidal Basin in Washington, D.C.

华盛顿潮汐畔，一只食虫莺为樱花盛开的生动场面增添了一点黄金色。

Writing about the “Throne of the Mughal”, a tableau with dozens of enamelled and bejewelled figures, he states that the ruler is an “imaginary Asian”.

他介绍“莫卧儿的王冠”，在谈及几十个镶着宝石上着彩釉的人物画面时，指出这个统治者是一个“虚构的亚洲人”。