The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我记住了奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起始弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背乏审美情趣，不能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念定入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴鸣曲。

I committed the sonata to memory.

我记住了鸣曲。

He played a Beethoven sonata yesterday.

他昨天演了贝芬的鸣曲。

These are the opening chords of a sonata.

这些是鸣曲的起始和弦。

Let’s go through the sonata once more.

这个鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许不了解文化背景和缺乏审美情趣，不能区分鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴。

I committed the sonata to memory.

我记住了。

He played a Beethoven sonata yesterday.

他昨天演了贝多芬的。

These are the opening chords of a sonata.

这些是的起始和弦。

Let’s go through the sonata once more.

这个咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众了解文化背景和缺乏审美，能区分表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣拉得熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣。

I committed the sonata to memory.

住了奏鸣。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣。

These are the opening chords of a sonata.

这些是奏鸣的起始和弦。

Let’s go through the sonata once more.

这个奏鸣咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分奏鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作钢琴奏鸣曲。

I committed the sonata to memory.

我记住了奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏了贝奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲起始和弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许听众不了解文化背景和缺乏审美情趣，不能区分奏鸣曲表演优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本基本概念和定义入手，将研究厘定于版本学范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴。

I committed the sonata to memory.

我记住了。

He played a Beethoven sonata yesterday.

他昨天演了贝多芬的。

These are the opening chords of a sonata.

这些是的起始和弦。

Let’s go through the sonata once more.

这个咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众了解文化背景和缺乏审美，能区分表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴鸣拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴鸣。

I committed the sonata to memory.

我记住了鸣。

He played a Beethoven sonata yesterday.

他昨天演了贝芬的鸣。

These are the opening chords of a sonata.

这些是鸣的起始和弦。

Let’s go through the sonata once more.

这个鸣咱们再练习一。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

听众不了解文化背景和缺乏审美情趣，不能区分鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴曲拉得熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴曲。

I committed the sonata to memory.

我记住了曲。

He played a Beethoven sonata yesterday.

他昨天演了贝多芬的曲。

These are the opening chords of a sonata.

这些是曲的起始和弦。

Let’s go through the sonata once more.

这个曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众了解文化背景和缺乏审美情，区分曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣曲拉得熟练。

He played a piano sonata of his own composition.

他弹奏一首自作的钢琴奏鸣曲。

I committed the sonata to memory.

我记住奏鸣曲。

He played a Beethoven sonata yesterday.

他昨天演奏贝多芬的奏鸣曲。

These are the opening chords of a sonata.

这些是奏鸣曲的起始和弦。

Let’s go through the sonata once more.

这个奏鸣曲咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不化背景和缺乏审美情趣，不能区分奏鸣曲表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴献之版本的基本概念和定入手，将研究厘定于版本学的范畴之中。