Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

连接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦片生的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼。

I was splicing together a video from the footage on opium-growing.

在连接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫特和狄奴·曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦片生长过程的胶片上的一段录像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫特和狄奴·曼同时代的英国艺术家，把这部录像片称之为一个“可敬的、脆弱的形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦生长过程胶段像。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代英国艺术家，把这部像称之为个“可敬、脆弱形象”。

Footage also showed mice devouring Atlantic petrel and great shearwater chicks.

画面还显示，老鼠噬大西洋海燕和大海鸥类飞鸟的幼雏。

I was splicing together a video from the footage on opium-growing.

我正在连接取自拍摄鸦生长过程的胶上的一段录。

Sam Taylor-Wood, a contemporary of British artists like Damien Hirst and Jake Chapman, called the footage a "reverential and vulnerable image".

萨姆·泰勒·伍德，这位与戴蒙·赫斯特和狄奴斯·查普曼同时代的英国艺术家，把这部录之为一个“可敬的、脆弱的形象”。