Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半音阶将音乐推向最强音，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提都会遇到四种，它们分别是艾奥（大音阶）、米索地、多里和伊奥尼（自然小音阶）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

的半音阶将音乐推最强音，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提琴曲中都会遇到四种调，它们分别是艾奥利安调（大音阶）、米索利地安调、多里安调和伊奥尼安调（自然小音阶）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半音将音乐推向最强音，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁歌和提琴曲中都会遇到四种调，它们分别是艾奥利安调（大音）、利地安调、多里安调和伊奥尼安调（自然小音）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半将乐推向最，响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提琴曲中都会遇到四种调，它们分别是艾奥利安调（大）、米索利地安调、多里安调和伊奥尼安调（自然）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半音阶将音乐推向最强音，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎国民歌和提琴曲中都会遇到四种调，它们分别是艾奥安调（大音阶）、米安调、多里安调和伊奥尼安调（自然小音阶）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半音阶将音乐推向最强音，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提琴曲中都会遇到四种调，它们分别是艾奥利安调（大音阶）、米索利地安调、多里安调和伊奥尼安调（自然小音阶）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半乐推向最强，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提琴曲中都会遇到四种调，它们分别是艾奥利安调（大）、米索利地安调、多里安调和伊奥尼安调（自然小）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上阶将乐推向最强，交响乐团演奏着原先怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提琴曲中都会遇到四种调，它们别是艾奥利安调（大阶）、米索利地安调、多里安调和伊奥尼安调（自然小阶）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

上的半音将音乐推音，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国民歌和提琴曲中都会遇到四种调，它们分别是艾奥利安调（大音）、米索利地安调、多里安调和伊奥尼安调（自然小音）。

Trundling chromaticism has the music roll up to a fortissimo, the orchestra still proclaiming the originally wistful piano-theme.

向上的半将乐推向最强，交响乐团演奏着原先的怀旧主题。

The four modes that we meet up with both in Anglo-American folk song and fiddle tunes are the Ionian (major scale), Mixolydian, Dorian, and Aeolian (natural minor scale).

我们在盎格鲁美国提琴曲中都会遇到四种调，它们分别是艾奥利安调（）、米索利地安调、多里安调伊奥尼安调（自然小）。