Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落峡谷间，参差着奢华魅影，如花笑。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴不当，时间不对，力度不足，又可能使整个乐不够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳，话般的原木石屋在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺少与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能使整个音乐不够协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高当，时间对，力度足，又可能使整个音协调，缺少错落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋错在峡谷间，参差着奢华魅影，花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

左手伴奏音高不当，时间不对，力度不足，又可能使个音乐不够协调，缺少错与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木石屋峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而那些斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，时间不对，力度不足，又可能音乐不够协调，缺少与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。时雨霁云开，时骄阳遍野，童话般的原木落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些落斑驳的色彩中，我们又好像领略了浪漫主义和的自由、多情和古典主义曲式的严谨和工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏高不当，时间不对，力度不足，又可能使整不够协调，缺少落与和谐之美。

Snow,pin,mountains montagnes et clear warm winds. Rainbows show up after rain, Chalets show up after clouds. Solaire everywhere. Luxurioux smiles pretting simply.

雪，松，山峦叠嶂风清冽。雨霁云开，遍野，童话般的原木石屋错落在峡谷间，参差着奢华魅影，如花笑颜。

But in these vivid palettes, we has probably understood the romanticism harmony’s freedom,acracholia, as well as the rigorousness and the neatness of classicism musical form.

而在那些错落斑驳的色彩中，我们又好像领略了浪漫主义的自由、多情古典主义曲式的严谨工整。

Also, if the improvisatory accompany is too high or too low, the time and power is not suitable, the music will no a tune and less the beauty of strewing and harmonious.

如若左手伴奏音高不当，间不对，力度不足，又可能使整个音乐不够协调，缺少错落之美。