Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹贴图的方法实现、、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础阴影投射体和接收体的材质实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和态纹理贴方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理阴射体和接收体材质来实现更复杂阴算法，比如实现支持自深度阴贴。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处阴影投射和的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整后把你的贴移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用统和动态纹理贴图的方法了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的基础来处理阴影投射体和接收体的材质来复杂的阴影算法，比如支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

，用粒子系统和动态纹理贴图方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理影投射体和接收体材质来实现更复影算法，比如实现支持自投影深度影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整后把你的贴移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理阴投射体和接收体材质来实现更复杂阴算法，比如实现支持自投度阴。