The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界彼岸性是被幻觉所支配、铭刻在没有实体上幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样叙述策略表现了福楼拜面对生存一种选择：游戏。这是家超越现实、诗化现实方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又冷酷世界：充满悲剧女性命运、欲望感情故事、苍白人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界的彼岸性是被幻觉所支配、铭刻在没有体的虚无上的幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样的叙述策略表了福楼拜面对生存虚无的一种选：。这是家超、诗化的方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真而又冷酷的世界：充满悲剧的女性命运、交织着欲望的感情故事、苍白虚无的人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界的彼岸性是被幻觉所支配、铭刻在没有实体的无上的幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样的叙述策略表现了福楼拜面对无的一种选择：游戏。这是家超越现实、诗化现实的。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

光下是一个真实而又冷酷的世界：充满悲剧的女性命运、交织着欲望的感情故事、苍白无的人形。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界彼岸性是被幻觉所支配、铭刻在没有实体虚无上幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

为，这样叙述策略表现了福楼拜面对生存虚无一种选择：游戏。这是家超越现实、诗化现实方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又冷酷世界：充满女性命运、交织着欲望感情故事、苍白虚无人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界的彼岸性是被幻觉所支配、铭刻在没有实体的虚无上的幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样的叙述策略表了福楼拜面对生存虚无的择：游戏。这是家超越实、实的方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是个真实而又冷酷的世界：充满悲剧的女性命运、交织着欲望的感情故事、苍白虚无的人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严界彼岸性是被幻觉所支配、铭刻在没有实体虚幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样叙述策略表现了福楼拜面对生存虚一种选择：游戏。这是家超越现实、诗化现实方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又冷酷世界：充满悲剧女性、织着欲望感情故事、苍白虚人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严彼岸性是被幻觉所支配、铭刻在没有实体虚无幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样叙述策略表现了福楼拜面对生存虚无一种选择：游戏。这是家超越现实、诗化现实方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又冷酷世：充满悲剧女性命运、交织着欲望感情故事、苍白虚无人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界的彼岸性是被幻觉所支配、没有实体的虚无上的幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样的叙述策略表现了福楼拜面对生存虚无的一种选择：游戏。这是家超越现实、诗化现实的方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又冷酷的世界：充满悲剧的女性命运、交织着欲望的感、苍白虚无的人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上界彼岸性是被幻觉所支配、铭刻在没有实体虚无上幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这样略表现了福楼拜面对生存虚无一种选择：游戏。这是家超越现实、诗化现实方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又世界：充满悲剧女性命运、交织着欲望感情故事、苍白虚无人生形式。

The deiform Paramitality is the fairyland governed by the hallucination and inscribed in the nihility.

庄严上彼岸性是被幻觉所支配、铭刻在没有实体虚无上幻境。

Furthermore, this narrative strategy also uncovers Flaubert's playful attitude towards the existential nihil, and thus helps the writer transcend and poeticize reality.

本文认为，这述策略表现了福楼拜面对生存虚无一种选择：游戏。这是家超越现实、诗化现实方式。

The moonshining night is a real but grim world which contained the female tragical fate, the sentiment story mixed orexis and the pale windy life form.

月光下是一个真实而又冷酷：充满悲剧女性命运、交织着欲望感情故事、苍白虚无人生形式。