Several pretty models ankled through the hall.

几个漂亮儿从厅中走过。

Kate models dresses for a shop in Paris.

凯在巴黎一家商店当时装儿。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有心思替你当那无聊隐士儿。

The artist posed his model carefully.

画家细心地指导儿好姿势。

The artist posed the model carefully.

那个画家细心地使儿好姿势。

The model was posing carefully.

这位儿在认真地姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝曼先生，你不愿意给我当儿，就拉倒，我看你是个讨厌老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳玛莎——他儿，他灵感和他爱妻——搬进了戛纳城郊一个不起眼别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几漂亮的模特儿从厅中走过。

Kate models dresses for a shop in Paris.

凯特在巴黎一家商店当时装模特儿。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有替当那无聊的隐士模特儿。

The artist posed his model carefully.

画家细地指导模特儿好姿势。

The artist posed the model carefully.

那画家细地使模特儿好姿势。

The model was posing carefully.

这位模特儿在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，不愿意给我当模特儿，就拉倒，我看讨厌的老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一不起眼的别墅“乐博凯斯”。

Several pretty models ankled through the hall.

亮模特儿从厅中走过。

Kate models dresses for a shop in Paris.

凯特在巴黎一家商店当时装模特儿。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有心思替你当那无聊隐士模特儿。

The artist posed his model carefully.

画家细心地指导模特儿好姿势。

The artist posed the model carefully.

那画家细心地使模特儿好姿势。

The model was posing carefully.

这位模特儿在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，你不愿意给我当模特儿，就拉倒，我看你是讨厌老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛——模特儿，灵感和爱妻——搬进了戛纳城郊一不起眼别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几个漂亮模特儿从厅中走过。

Kate models dresses for a shop in Paris.

凯特在巴黎一家商店当时装模特儿。

No, I vill not bose as a model for your fool hermit-dunderhead.

，有心思替你当那无聊隐士模特儿。

The artist posed his model carefully.

画家细心地指导模特儿好姿势。

The artist posed the model carefully.

那个画家细心地使模特儿好姿势。

The model was posing carefully.

这位模特儿在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，你愿意给当模特儿，就拉倒，看你是个老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛莎——他模特儿，他灵感和他爱妻——搬进了戛纳城郊一个起眼别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几个漂亮的模从厅中走过。

Kate models dresses for a shop in Paris.

凯在巴黎一家商店当时装模。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有心思替你当那无聊的隐士模。

The artist posed his model carefully.

家细心地指导模好姿势。

The artist posed the model carefully.

那个家细心地使模好姿势。

The model was posing carefully.

这位模在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，你不我当模，就拉倒，我看你是个讨厌的老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛莎——他的模，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几个漂亮模从厅中走过。

Kate models dresses for a shop in Paris.

凯在巴黎一家商店当时装模。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有心思替你当那隐士模。

The artist posed his model carefully.

画家细心地指导模好姿势。

The artist posed the model carefully.

那个画家细心地使模好姿势。

The model was posing carefully.

这位模在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，你不愿意给我当模，拉倒，我看你是个讨厌老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛莎——他模，他灵感和他爱妻——搬进了戛纳城郊一个不起眼别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几个漂亮的特儿从厅中走过。

Kate models dresses for a shop in Paris.

凯特在巴黎一家商店当特儿。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有心思替你当那无聊的隐士特儿。

The artist posed his model carefully.

画家细心地指导特儿好姿势。

The artist posed the model carefully.

那个画家细心地使特儿好姿势。

The model was posing carefully.

这位特儿在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，你不愿意给我当特儿，就拉倒，我看你是个讨厌的老——老。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当博纳尔带着玛莎——他的特儿，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几漂亮的模特儿从厅中走过。

Kate models dresses for a shop in Paris.

凯特在巴黎一家商店当时装模特儿。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有替当那无聊的隐士模特儿。

The artist posed his model carefully.

画家细地指导模特儿好姿势。

The artist posed the model carefully.

那画家细地使模特儿好姿势。

The model was posing carefully.

这位模特儿在认真地着姿势。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

好，贝尔曼先生，不愿意给我当模特儿，就拉倒，我看讨厌的老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带着玛莎——他的模特儿，他的灵感和他的爱妻——搬进了戛纳城郊一不起眼的别墅“乐博凯斯”。

Several pretty models ankled through the hall.

几个漂亮的模特从厅中走过。

Kate models dresses for a shop in Paris.

凯特在巴黎一家商店当时装模特。

No, I vill not bose as a model for your fool hermit-dunderhead.

不，我没有心思替你当那无聊的隐士模特。

The artist posed his model carefully.

画家细心地指导模特。

The artist posed the model carefully.

那个画家细心地使模特。

The model was posing carefully.

这位模特在认真地。

Very well, Mr.Behrman, if you do not care to pose for me, you needn't.But I think you are a horrid old - old flibbertigibbet.

，贝尔曼先生，你不愿意给我当模特，就拉倒，我看你是个讨厌的老——老啰嗦鬼。”

Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时博纳尔带玛莎——他的模特，他的灵感和他的爱妻——搬进了戛纳城郊一个不起眼的别墅“乐博凯斯”。