The child slept soundly in her cradle.

那孩子在摇里睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇之中。

The baby slumbered in his cradle.

那婴儿安然地睡在摇中。

A cradlesong. Kids fall asleep quick.

摇曲，听着听着就睡着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类的文明之舟,自古依水而行。水是生的源泉,是 我们这个蓝上生的摇征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作的《根据古老爱尔兰曲调而作的摇曲》则更加尖锐，以乖僻纠结的旋律欢快的多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇，只露出一半，睡在摇里的便是那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者以“摇的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。

The child slept soundly in her cradle.

那孩子在摇篮里睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇篮之中。

The baby slumbered in his cradle.

那婴儿安然地睡在摇篮中。

A cradlesong. Kids fall asleep quick.

摇篮曲，听着听着就睡着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类文明之舟,自古依水而行。水生, 我们这个蓝色星球上生摇篮和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作《古老爱尔兰曲调而作摇篮曲》则更加尖锐，以乖僻纠结旋律和欢快多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子柳条摇篮，只露出一半，睡在摇篮里便那个哭了一整夜小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想民族主义者以“摇篮报复”来回击英国1759年占领这一梦想，却似乎没有如此深远影响。

The child slept soundly in her cradle.

那孩子在摇篮里得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇篮之中。

The baby slumbered in his cradle.

那婴儿安在摇篮中。

A cradlesong. Kids fall asleep quick.

摇篮曲，听着听着就着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类的文明之舟,自古依水而行。水是生的源泉,是 我们这个蓝色星球上生的摇篮和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作的《根据古老爱尔兰曲调而作的摇篮曲》则更加尖锐，以乖僻纠结的旋律和欢快的多调来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇篮，只露出一半，在摇篮里的便是那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者以“摇篮的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。

The child slept soundly in her cradle.

那孩子在摇篮里睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇篮中。

The baby slumbered in his cradle.

那婴儿安然地睡在摇篮中。

A cradlesong. Kids fall asleep quick.

摇篮，听着听着就睡着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类的舟,自古依水而行。水是生的源泉,是 我们这个蓝色星球上生的摇篮和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作的《根据古老爱尔兰调而作的摇篮》加尖锐，以乖僻纠结的旋律和欢快的多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇篮，只露出一半，睡在摇篮里的便是那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者以“摇篮的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。

The child slept soundly in her cradle.

那孩子睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀之中。

The baby slumbered in his cradle.

那婴儿安然地睡中。

A cradlesong. Kids fall asleep quick.

曲，听着听着就睡着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类文明之舟,自古依水而行。水是生源泉,是 我们这个蓝色星球上生和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

1913年创作《根据古老爱尔兰曲调而作曲》则更加尖锐，以乖僻纠结旋律和欢快多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子柳条，只露出一半，睡是那个哭了一整夜小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想民族主义者以“报复”来回击英国1759年占领这一梦想，却似乎没有如此深远影响。

The child slept soundly in her cradle.

那孩子在摇里睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇之中。

The baby slumbered in his cradle.

那婴儿安然地睡在摇中。

A cradlesong. Kids fall asleep quick.

摇，着着就睡着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类的文明之舟,自古依水而行。水是生的源泉,是 我们这个蓝色星球上生的摇象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作的《根据古老爱尔兰调而作的摇》则更加尖锐，以乖僻纠结的欢快的多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇，只露出一半，睡在摇里的便是那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者以“摇的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。

The child slept soundly in her cradle.

那孩子在摇篮里睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇篮之中。

The baby slumbered in his cradle.

那婴儿安然地睡在摇篮中。

A cradlesong. Kids fall asleep quick.

摇篮曲，听听就睡。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

的文明之舟,自古依水而行。水是生的源泉,是 我们这个蓝色星球上生的摇篮和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作的《根据古老爱尔兰曲调而作的摇篮曲》则更加，乖僻纠结的旋律和欢快的多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇篮，只露出一半，睡在摇篮里的便是那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者“摇篮的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。

The child slept soundly in her cradle.

那孩子摇篮里。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀摇篮之中。

The baby slumbered in his cradle.

那婴儿安然地摇篮中。

A cradlesong. Kids fall asleep quick.

摇篮曲，听着听着就着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类的文明之舟,自古依水而行。水是生的源泉,是 我们这个蓝色星球上生的摇篮和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

1913年创作的《根据古老爱尔兰曲调而作的摇篮曲》则更加尖锐，以乖僻纠结的旋律和欢快的多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇篮，只露出一，摇篮里的便是那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者以“摇篮的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。

The child slept soundly in her cradle.

那孩子在摇篮里睡得很熟。

Sooner murder an infant in its cradle than nurse unacted desires.

有欲望而无行动等于把婴儿扼杀在摇篮之中。

The baby slumbered in his cradle.

那婴儿安然地睡在摇篮中。

A cradlesong. Kids fall asleep quick.

摇篮曲，听着听着就睡着。

Water is a lifespring, it is us the cradle of the life on this blue heavenly body and indicative.

人类的文明之舟,自古依水而行。水的源泉, 我们这个蓝色星球上的摇篮和象征。

The 1913 Lullaby on an ancient Irish Tune is altogether edgier, with a sinuous winding melody and lilting polytonal exchanges.

在1913年创作的《根据古兰曲调而作的摇篮曲》则更加尖锐，以乖僻纠结的旋律和欢快的多调性变化来表现。

Behind these beds, and half hidden, stood an uncurtained wicker cradle, in which the little boy who had cried all the evening lay asleep.

小床后面有个没有挂帐子的柳条摇篮，只露出一半，睡在摇篮里的便那个哭了一整夜的小男孩了。

The revanche du berceau (“revenge of the cradle”) dreamed of by some romantic nationalists as retaliation for the British conquest of 1759 didn't seem so far-fetched.

但一些理想的民族主义者以“摇篮的报复”来回击英国1759年的占领这一梦想，却似乎没有如此深远的影响。