His words were followed by a pregnant pause.

说完话, 接着是段味的停顿。

She gave the order to the waiter, using her hands very expressively.

她味用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩味交换了下眼色，但什么都没说。

She cast him a significant smile.

她向投去味的笑。

He gave her a significant look.

味看了她眼。

They exchanged meaningful looks.

们彼此味交换了下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，拍摄了影片《嬉戏者践踏者》，该片味。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种喜剧化色彩的主要手段，作家举重若轻，味，发人思。

His words were followed by a pregnant pause.

说完话, 接着段意味深长的停顿。

She gave the order to the waiter, using her hands very expressively.

她意味深长地用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩意味深长地交换了下眼色，但什么都没说。

She cast him a significant smile.

她向投去意味深长的笑。

He gave her a significant look.

意味深长地看了她眼。

They exchanged meaningful looks.

们彼此意味深长地交换了下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，拍摄了影片《嬉戏者践踏者》，该片对意味深长。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

His words were followed by a pregnant pause.

说完话, 接着是段意味深长的停顿。

She gave the order to the waiter, using her hands very expressively.

她意味深长用双手把订单递给服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩意味深长交换下眼色，但什么都没说。

She cast him a significant smile.

她去意味深长的笑。

He gave her a significant look.

意味深长她眼。

They exchanged meaningful looks.

们彼此意味深长交换下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，拍摄影片《嬉戏者践踏者》，该片对意味深长。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

His words were followed by a pregnant pause.

完话, 接着是段意味深长的停顿。

She gave the order to the waiter, using her hands very expressively.

她意味深长地用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩意味深长地交换了下色，但什么。

She cast him a significant smile.

她向投去意味深长的笑。

He gave her a significant look.

意味深长地看了她。

They exchanged meaningful looks.

们彼此意味深长地交换了下色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，拍摄了影片《嬉戏者践踏者》，该片对意味深长。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

His words were followed by a pregnant pause.

他说完话, 接着是段深长的停顿。

She gave the order to the waiter, using her hands very expressively.

她深长地用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻深长地交换了下，但什么都没说。

She cast him a significant smile.

她向他投去深长的笑。

He gave her a significant look.

他深长地看了她。

They exchanged meaningful looks.

他们彼此深长地交换了下。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992，他拍摄了影片《嬉戏者践踏者》，该片对他深长。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种喜剧化彩的主要手段，作家举重若轻，深长，发人深思。

His words were followed by a pregnant pause.

他说, 着是段意味深长的停顿。

She gave the order to the waiter, using her hands very expressively.

她意味深长地用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩意味深长地交换了下眼色，但什么都没说。

She cast him a significant smile.

她向他投去意味深长的笑。

He gave her a significant look.

他意味深长地看了她眼。

They exchanged meaningful looks.

他们彼此意味深长地交换了下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，他拍摄了影片《嬉戏者践踏者》，该片对他意味深长。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语格是构成这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

His words were followed by a pregnant pause.

他说完话, 接着是段味的停顿。

She gave the order to the waiter, using her hands very expressively.

她味用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩味交换了下眼色，但什么都没说。

She cast him a significant smile.

她向他味的笑。

He gave her a significant look.

他味看了她眼。

They exchanged meaningful looks.

他们彼此味交换了下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，他拍摄了影片《嬉戏者践踏者》，该片对他味。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种喜剧化色彩的主要手段，作家举重若轻，味，发人思。

His words were followed by a pregnant pause.

说完话, 接着是段意味深长的停顿。

She gave the order to the waiter, using her hands very expressively.

意味深长地用双手把订单递给服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩意味深长地交换下眼色，但什么都没说。

She cast him a significant smile.

投去意味深长的笑。

He gave her a significant look.

意味深长地眼。

They exchanged meaningful looks.

们彼此意味深长地交换下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，拍摄影片《嬉戏者践踏者》，该片对意味深长。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种喜剧化色彩的主要手段，作家举重若轻，意味深长，发人深思。

His words were followed by a pregnant pause.

他说完话, 接着是段味的停。

She gave the order to the waiter, using her hands very expressively.

味地用双手把订单递给了服务员。

The couple exchanged meaningful glances but said nothing.

夫妻俩味地交换了下眼色，但什么都没说。

She cast him a significant smile.

向他投去味的笑。

He gave her a significant look.

他味地看了眼。

They exchanged meaningful looks.

他们彼此味地交换了下眼色。

In 1992, he made a film that would turn out to be quite important for him：Romper Stomper.

1992年，他拍摄了影片《嬉戏者践踏者》，该片对他味。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

诞的场面描写和幽默的语言风格是构成这种喜剧化色彩的主要手段，作家举重若轻，味，发人思。