A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静转折信号，带出了漫游琴主题。同时琴转变为最弱十六分符伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉幻般悦耳曲调中，双簧管和弦乐震声演奏很快加入进来，曲调游般地旋转，八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静折信号，带出了漫游式主题。同时变为最弱十六分伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳曲调中，双簧管和弦乐震声演奏很快加入进来，曲调梦游般地旋，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调梦游转，在八之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为最弱十六分符伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳曲调中，双簧管和弦声演奏很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静转折信号，带出了漫游式琴主题。琴转变为最弱十六分符。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳曲调中，双簧管和弦乐震声演很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在幻般悦耳的中，双簧管和弦乐的震声演奏很快加入进来，游般地旋转，在八小节之后减为。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震演奏很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的折信号，带出了漫游式的钢主题。同时钢为最弱的十六的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调梦游般地旋，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十六分符的伴。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震声快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静转折，出了漫游式钢琴主题。同时钢琴转变为最弱十六分符伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳中，双簧管和弦乐震声演奏很快加入进来，梦游般地旋转，在八小节之后减弱为最弱。