The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇，是他们和所有那个时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐，着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时的唐，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝独舞的女性舞蹈演员展示了墩，它绘于魏唐朝代，当驼运载着货物通过丝路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时代的大家构成了盛唐音的辉。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，们和所有那个时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝，载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建代的唐朝，唐太宗身边还有一谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时代的大家构成了盛唐之音的。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技……）和一个穿丝绸独舞的女性舞展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技……）和一个穿丝绸独舞的女性舞展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边有谏臣魏征，魏征的存在不会使唐明皇失色，正是他们所有那时代的大家构成了盛唐之音的辉煌。