But atonality, whether free or serial, alienated listeners.

但无调性，无论是自由还是序列，都会疏。

Some with a lot of prosodic cues, while others were read in an atonal, almost robotic voice.

有些有很多韵律提示， 而另一些则以无调性、几乎是机器人声音朗读。

In his " free atonal" works no chord has special status; musical phrases do not resolve in satisfying cadences.

在他“自由无调性” 作品中， 没有和弦具有特殊地位；乐句无法以令人满意来解决。

Its absence signified the advent of what came to be known as " atonality" (though Schoenberg did not like the term).

它缺失标志着后来被称为“无调性”时代到来（尽管勋伯格不喜欢这个术语）。

After encountering some of Schoenberg's atonal works, Richard Strauss, a fellow composer, declared that his peer should shovel snow, not write scores.

在接触过勋伯格一些无调性作品后，同为作曲家理查德·施特劳斯宣称，他同行应该去铲雪，而不是写乐谱。