The production of the musical comedy was a scenic triumph .

该音乐的制作是戏上的一大成功。

Scotland has always had a fine reservoir of comic talent.

苏格兰一直是天才的宝库。

The ending of the play is comic.

此的结局是性的。

The comedian tickled the crowd with his jokes.

演员的笑话把人们逗乐了。

The film also contains a hefty dose of comedy.

这部电影同样带有浓厚的色彩。

A stand-up comedian performed a coarse imitation of the President.

滑稽说笑的演员粗劣地模仿总统。

The comedian’s act drew a large crowd.

那个演员的表演吸引了一大批观众。

Our comic play was a burlesque of a Shakespearean tragedy.

我们的是对亚一出悲的讽刺性模仿。

Wang xiao-bo is consider to be an excellent comedist in this thesis.

本文认为王波是中国当代一位优秀的性说作家。

A classic example comes from comedian Jack Benny, famous for his parsimony.

有个经典例子出自以吝啬著称的演员杰克·班尼。

The Beano with Dennis the Mennis.

你有欢看的吗?

The comedian's performance was the pits!

这演员的表演糟透了。

Beside Shakespeare,Marlowe strikes us as an immature dramatist,especially in his comic scenes.

和亚相,马洛给我们的印象是一个不成熟的戏家,特别是他的场面。

Shakespeare's comedies, histories, and tragedies.

亚的、历史和悲。

What unites the two very different cinematic hits—a slapstick comedy and a 16th-century swashbuckler—is their gung-ho patriotism .

一部是闹哄哄的，一部描写的是16世纪一位飞扬跋扈的国王，两部题材截然不同的热共通之处在于都宣扬了爱国主义。

The author used a seemed calmness, impersonal and adiaphorous method to face the topic of the society and history of contemporary China.

荒诞的场面描写和幽默的语言风格是构成这种化色彩的主要手段，作家举重若轻，意味深长，发人深思。

In contrast, Zhao Ben-shan’s comic sketches, filled with an orgastic trait peculiar to comedy in its embryonic stage, have subverted the co...

赵本山的品则具有萌芽期的狂欢性质,颠覆了惯常大众传媒中被扭曲的农民形象,获得了观众的爱和认同。

Martin Scorsese made the 1985 comedy After Hours as a kind of quick rejuvenator following a long, difficult production on The King of Comedy.

经历「之王」漫长艰难的制作后，马丁史柯西斯将1985年的「下班后」当作快速提神补元气的调剂。

In one trial, a white, goateed, middle-aged man came up as most resembling the young black comedian Chris Tucker — and onlookers exclaimed, "You know, I can see that."

在一次尝试中，一位白皮肤、山羊胡子的中年男子的对结果竟然是年轻的黑人演员克里斯·塔克。旁观者们惊呼：“你知道么，我觉得你们挺像的。”

We are fascinated by rogues, from Chaucer's Pardoner to Del Boy. 9 We are bad at risk-assessment, and repeated surveys show that we fear crime far more than is justified.

从乔叟笔下的忏悔者到热播中的人物德尔子，这些流氓无赖无一不让我们心向往之。我们并不善于准确判断风险，一次次的调查表明，我们对于犯罪行为的恐惧大大超出了正常范围。