Dylan brought high poetic traditions into the popular vernacular.

迪把诗学传统转化成了流行白话。

Editions of Terence appeared late in the fifteenth century, followed by translations of Greek tragedies and Aristotle's Poetics.

法语版出现于15世纪晚期 之后是希腊悲剧和亚里士多德诗学翻译版。

According to poetic accounts, he once carved runes on a horn filled with poison, causing the horn to shatter.

据诗学记载，他曾将如尼字雕刻在盛满毒药动物角上，这一举动粉碎了这只角。

So we began to imagine what I would call the poetics of data.

所我们开始想象我称之为数据诗学东西。

On the use of multiple parallel texts as a comparative method in cognitive poetics.

关于在认知诗学中使用多个平行作为比较方法。

Aristotle on Comedy: Towards a Reconstruction of Poetics II.

亚里士多德谈喜剧：走向诗学重建 II。

This Euripidean logic can be extended in relation to the next topic in the Poetics: recognition.

这种欧里庇得逻辑可扩展到诗学下一个主题：识别。

Aristotle, in his Poetics, insists that this is the mark of every good story, novel, or play.

亚里士多德在他《诗学》中坚持认为这是每一个好故事、小说或戏剧标志。

The text of the Poetics ends with a lacuna, which is where the lost analysis of comedy would have begun.

《诗学》一个空缺结尾，而这正是失落喜剧分析开始地方。

This is why Aristotle is so insistent in the Poetics that a tragic plot should be plausible and its events convincing.

这就是为什么亚里士多德在《诗学》中如此坚持悲剧情节应该是合理， 它事件应该是令人信服。

Lucas, Frank L. Tragedy: Serious Drama in Relation to Aristotle's Poetics.

Lucas, Frank L. 悲剧：与亚里士多德诗学相关严肃戏剧。

Might the Poetics be read in terms of what is missing from it?

是否可根据其中缺失内容来阅读《诗学》？

But what is known as the second book of the Poetics has disappeared.

但是所谓《诗学》第二书已经消失了。

But this is a precious indication that by the time of the composition of the Poetics, the texts of the tragedies were available.

但这是一个宝贵迹象， 表明在诗学创作时候，悲剧已经存在。

Returning to Poetics XIII, we find another fascinating passing reference to Euripides.

回到《诗学 XIII》， 我们发现了另一个引人入胜对欧里庇得引用。

Richard Janko, Aristotle on Comedy: Towards a Reconstruction of Poetics II (Berkeley: University of California Press, 1984).

2. Richard Janko，亚里士多德论喜剧：走向诗学重建 II（伯克利：加州大学出版社，1984 年）。

Everyone was wounded. As for him, he was a tragic hero straight out of the Poetics: neither a villain nor a virtuous man, but someone in between.

每个人都受伤了。对他来说，他是《诗学》中悲剧英雄：他既不是坏人也不是好人，而是介乎两者之间人。

This exclusion of the monstrous from poetics can be interestingly juxtaposed with the presence of the monstrous in the experience of tragedy itself.

这种从诗学中排除怪兽可有趣地与悲剧身体验中怪兽存在并置。

The relative or perhaps apparent absence of judgment in the Poetics is striking.

《诗学》相对或明显缺乏判断力是引人注目。

The latter is the transition from ignorance to knowledge and Aristotle is clear in Poetics XVI that the best kind of recognition is accompanied by reversal.

后者是从无知到知识转变， 亚里士多德在《诗学 XVI》中明确指出， 最好认识伴随着逆转。