The works' core is a kind of symbiotic beauty which are strugglingly explored from the Eastern veiling, courteousness, pleasure, and the Western direct, nude, intense emotion.
This implicit reasoning is essentially no more peculiar to evangelical belief than the use of wide phrases for narrow motives is peculiar to Englishmen.
Two decades later, it resembles a veiled warning, both as an astute predictor of reality TV's enormous rise and as a cultural forerunner to the age of digital surveillance.
However implicit the faith of David was in the performance of ancient miracles, he eschewed the belief of any direct supernatural agency in the management of modern morality.