Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近年来，已有实验果显示，离心通风机叶轮进口前气流预旋确实存在，而且其分布形与人们通常想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣是诗歌破碎、错乱、不、不和构，也就是我说言语声律障碍，即运用破损声音作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它形状完全都在巴洛克品味限制底下，除了在充满螺旋装饰瓶盖之外，没有其他重要涡捲设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近年来，已有的实验结果显示，离心通风机叶轮进口前的气流预旋确实存在，而且其分布形与人们通常的想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我兴趣的是诗歌的破碎、错乱、不、不和谐的结构，也就是我说的言语声律障碍，即运用破损声音的作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它的形状完全都在巴洛克品味的限制底下，除了在充满螺旋装饰的瓶盖之外，没有其他重要的涡捲设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近年来，已有的实验结果显示，离心通风机叶轮进口前的气流预旋确实存在，而且其分布形与人们通常的想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣的是诗歌的碎、错乱、不对称、不和谐的结构，也就是我说的言语声律障碍，即损声音的作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它的形状完全都在巴洛克品味的限制底下，除了在充满螺旋装饰的瓶盖之外，没有其他重要的涡捲对称设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

年来，已有的实验结果显示，离心通风机叶轮进口前的气流预旋确实存在，而且其分布形与人们通常的想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣的是诗歌的碎、错乱、不对称、不和谐的结构，也就是我说的言语声律障碍，即运声音的作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它的形状完全都在巴洛克品味的限制底下，除了在充满螺旋装饰的瓶盖之外，没有其他重要的涡捲对称设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

年来，已有的实验结果显示，离心通风机叶轮进口前的气流预旋确实存在，而且其分布形与人们通常的想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣的是诗歌的破碎、错乱、不对称、不和谐的结构，也就是我说的言语碍，即运用破损音的作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它的形状完全都在巴洛克品味的限制底下，除了在充满螺旋装饰的瓶盖之外，没有其他重要的涡捲对称设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

年来，已有实验结果显示，离心通风机叶轮进口前气流预旋确实存在，而且其分布形与人们通常想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣是诗歌破碎、错乱、不对、不和谐结构，也就是我说言语律障碍，即运用破作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它形状完全都在巴洛克品味限制底下，除了在充满螺旋装饰瓶盖之外，没有其他重要涡捲对设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近，有的实验结果显示，离心通风机叶轮进口前的气确实存在，而且其分布形与人们通常的想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣的是诗歌的破碎、错乱、不对称、不和谐的结构，也就是我说的言语声律障碍，即运用破损声音的作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它的形状完全都在巴洛克品味的限制底下，除了在充满螺装饰的瓶盖之外，没有其他重要的涡捲对称设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近年，有的实验结果显示，离心通风机叶轮进口前的旋确实存在，而且其分布形与人们通常的想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣的是诗歌的破碎、错乱、不对称、不和谐的结构，也就是我说的言语声律障碍，即运用破损声音的作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它的形状完全都在巴洛克品味的限制底下，除了在充满螺旋装饰的瓶盖之外，没有其他重要的涡捲对称设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近年来，已有实验结果显示，离心通风机叶轮进口前气流预旋确实存在，而且其分与人们通常想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣是诗歌破碎、错乱、不对称、不和谐结构，也就是我说言语声律障碍，即运用破损声音作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它状完全都在巴洛克品味限制底下，除了在充满螺旋装饰瓶盖之外，没有其他重要涡捲对称设计。

Recently, some experiments show the existence of prewhirl and reveal the asymmetrical scroll will affect the distribution of prewhirl.

近年来，已有实验结果显示，离心通风机叶轮进口前气流预旋确实存在，而且其分布形与人们通常想象有很大不同。

I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.

我一直感兴趣是诗歌破碎、错乱、不、不结构，也就是我说言语声律障碍，即运用破损声音作诗法。

The shape is entirely within the bounds of late baroque taste, and no important asymmetrical motifs are evident in the elaborate scrollwork except in a decorative cartouche on the top.

它形状完全都在巴洛克品味限制底下，除了在充满螺旋装饰瓶盖之外，没有其他重要涡捲设计。