The young boy played the violin sonata masterfully.

那个小男孩的小提鸣拉得很熟练。

He played a piano sonata of his own composition.

他弹了一首自作的鸣。

I committed the sonata to memory.

我记住了鸣。

He played a Beethoven sonata yesterday.

他昨天演了贝多芬的鸣。

These are the opening chords of a sonata.

这些是鸣的起始弦。

Let’s go through the sonata once more.

这个鸣咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背乏审美情趣，不能区分鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及文献之版本的基本概念定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩小提琴奏鸣拉得很熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作钢琴奏鸣。

I committed the sonata to memory.

我记住了奏鸣。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬奏鸣。

These are the opening chords of a sonata.

这些是奏鸣起始和弦。

Let’s go through the sonata once more.

这个奏鸣咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分奏鸣表演优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

课题从版、版学及钢琴文献之版基概念和定义入手，将研究厘定于版学范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣拉得很熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣。

I committed the sonata to memory.

住了奏鸣。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣。

These are the opening chords of a sonata.

这些是奏鸣的起始和弦。

Let’s go through the sonata once more.

这个奏鸣咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了背景和缺乏审美情趣，不能区分奏鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴鸣拉得很熟。

He played a piano sonata of his own composition.

他弹了首自作的钢琴鸣。

I committed the sonata to memory.

我记住了鸣。

He played a Beethoven sonata yesterday.

他昨了贝多芬的鸣。

These are the opening chords of a sonata.

这些是鸣的起始和弦。

Let’s go through the sonata once more.

这个鸣咱们再遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分鸣表的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣拉得很熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣。

I committed the sonata to memory.

我记住了奏鸣。

He played a Beethoven sonata yesterday.

他昨天演奏了贝多芬的奏鸣。

These are the opening chords of a sonata.

这些是奏鸣的起始和弦。

Let’s go through the sonata once more.

这个奏鸣咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解化背景和缺乏审美情趣，不能区分奏鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴版本的基本概念和定义入手，将研究厘定于版本学的范畴中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏鸣拉得很熟练。

He played a piano sonata of his own composition.

他弹奏了一首自作的钢琴奏鸣。

I committed the sonata to memory.

我记住了奏鸣。

He played a Beethoven sonata yesterday.

他昨天演奏了的奏鸣。

These are the opening chords of a sonata.

这些是奏鸣的起始和弦。

Let’s go through the sonata once more.

这个奏鸣再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许听众不了解文化背景和缺乏审美情趣，不能区分奏鸣表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴拉得很熟练。

He played a piano sonata of his own composition.

他弹了一首自作的钢琴。

I committed the sonata to memory.

我记住了。

He played a Beethoven sonata yesterday.

他昨天演了贝多芬的。

These are the opening chords of a sonata.

这些是的起始和弦。

Let’s go through the sonata once more.

这个咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

课题从版、版学及钢琴文献之版的基和定义入手，将研究厘定于版学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴鸣拉得很熟。

He played a piano sonata of his own composition.

他弹了首自作的钢琴鸣。

I committed the sonata to memory.

我记住了鸣。

He played a Beethoven sonata yesterday.

他昨了贝多芬的鸣。

These are the opening chords of a sonata.

这些是鸣的起始和弦。

Let’s go through the sonata once more.

这个鸣咱们再遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

许多听众不了解文化背景和缺乏审美情趣，不能区分鸣表的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。

The young boy played the violin sonata masterfully.

那个小男孩的小提琴奏拉得很熟练。

He played a piano sonata of his own composition.

弹奏了一首自作的钢琴奏。

I committed the sonata to memory.

我记住了奏。

He played a Beethoven sonata yesterday.

昨天演奏了贝芬的奏。

These are the opening chords of a sonata.

这些是奏的起始和弦。

Let’s go through the sonata once more.

这个奏咱们再练习一遍。

Many in the audience lack the background and taste to discern a good performance of the sonata from a bad one.

众不了解文化背景和缺乏审美情趣，不能区分奏表演的优劣。

Beginning with the basic concept and definition of version, bibliology and version of piano sonata literature, the subject will be collated to the category of bibliology.

本课题从版本、版本学及钢琴文献之版本的基本概念和定义入手，将研究厘定于版本学的范畴之中。