It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构，从形式分析、像学和情境分析三个维度对西方艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式、图像学和情境个维度对西方艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度对西方艺术史学史构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章成，试图从形式分析、图像学和情境分析三个维度对西方艺术史学史进行建。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学分析三个维度对西方艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本五章构成，试图从形式分析、图像学和情境分析三个维度对西方艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度对西方艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式析、图像学和析三个维度对西方艺术史学史进行建构。

It constructs the history of Western art history from three dimensions of the form analysis, iconology and situational analysis.Chapter I is an introduction.

本文共由五章构成，试图从形式分析、图像学和情境分析三个维度对西方艺术史学史进行建构。