Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图的方法实现了雨、雪、火焰和爆炸效果的模。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

可以用着语作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理阴投射体和接收体材质来实现更复杂阴算法，比如实现支持自投度阴。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和理贴图方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理阴影投射和接收质来实现更复杂阴影算法，比如实现支持自投影深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然的图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

也可以用着色语言作为技术的实现基础来处理投射体和接收体的材质来实现更复杂的算法，比如实现支持自投的深度图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系态纹理贴图的方法实现了雨、雪、火焰爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础处理阴影投射体接收体的实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利系统和动态纹理贴图的方法实了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以着色语言作为技术的实基础来处理阴影投射体和接收体的材质来实杂的阴影算法，比如实支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处阴影投射和的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图方法了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术基础来处理阴影投射体和接收体材质来更复杂阴影算法，比如持自投影深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图的方法现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的现基础来处理阴影投射体和接收体的材质来现更复杂的阴影算法，现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动贴图方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处阴影投射和接材质来实现更复杂阴影算法，比如实现支持自投影深度阴影贴图。