Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适合覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图方法了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术基础来处理阴影投射体和接收体材质来更复杂阴影算法，比支持自投影深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图方法了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术基础来处理阴影投射体和接收体材质来更复杂阴影算法，比如持自投影深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理阴投射体和接收体材质来实现更复杂阴算法，比如实现支持自投度阴。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统动态纹的方法实现了雨、雪、火焰爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处阴影投射体体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同，粒子系统和动态纹理贴图方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以着色语言作为技术实现基础来处理阴影投射体和接收体材质来实现更阴影算法，比如实现支持自投影深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你移动到适合位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理阴影投射体和接收体材质来实现更复杂阴影算法，比如实现支持自投影阴影。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

整尺寸然后把你的贴图移动到适合的位置覆盖背景。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

同时，利用粒子系统和动态纹理贴图的方法实现了雨、雪、火焰和爆炸效果的模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术的实现基础来处理阴影投射体和接收体的材质来实现更复杂的阴影算法，比如实现支持自投影的深度阴影贴图。

Resize and move your texture into a suitable place and then desaturate it.Change the blending mode of your texture layer to overlay.

重新调整尺寸然后把你贴图移动到适合位置覆盖背。

Meanwhile, the scenes of rain, snow, fire flame and explosion are simulated livingly by means of particle system and dynamic texture mapping.

，利用粒子系统和动态纹理贴图方法实现了雨、雪、火焰和爆炸效果模拟。

As mentioned above in the directional lights section, the rendering of shadows for directional lights is an approximation that allows us to use a single render to cover a largeish area with shadows.

你也可以用着色语言作为技术实现基础来处理投射体和接收体材质来实现更复杂算法，比如实现支持自投深度贴图。