A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢。同时钢转变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

浸在梦幻般悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十六符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的折信号，带出了漫游式的钢琴主题。同时钢琴变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸梦幻般悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调梦游般地，八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐在半个小节内从增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静转折信号，带出了漫游式钢琴主题。同时钢琴转变为六分符伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳曲调中，双簧管和弦乐震声演奏很快加入进来，曲调梦游般地旋转，在八小节之后减为。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低接着发出安折信号，带出了漫游式钢琴主题。同时钢琴变为最弱十六分符伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳曲调中，和弦乐震声演奏很快加入进来，曲调梦游般地旋，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐使乐在半个小节内从最弱。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震声演奏很快来，曲调梦游般地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了的钢琴主题。同时钢琴转变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在悦耳的曲调中，双簧管和弦乐的震声演奏很快加入进来，曲调地旋转，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在幻般悦耳的中，双簧管和弦乐的震声演奏很快加入进来，游般地旋转，在八小节之后减为。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低接着发出安折信号，带出了漫游式钢琴主题。同时钢琴变为最弱十六分符伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳曲调中，和弦乐震声演奏很快加入进来，曲调梦游般地旋，在八小节之后减弱为最弱。

A sudden crescendo forces the music from pianissimo back to forte in only half a bar.

一段突然的渐强使乐在半个小节内从最弱增强到强。

Quiet redirection subsequently issues from the bassoons, which take up the wandering piano-theme, while the piano itself goes over into a pp semiquaver accompaniment.

低管接着发出安静的转折信号，带出了漫游式的钢琴主题。同时钢琴转变为最弱的十六分符的伴奏。

The flutes sink into a dreamy melody, soon to be joined by the oboes and tremolando strings, the melody gyrating somnabulistically and evanescing pp after eight bars.

长笛沉浸在梦幻般悦耳的曲调中，双簧管和弦乐的震演奏很快加入进来，曲调梦游般地旋转，在八小节之后减弱为最弱。