Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约的“三种唱法”划分模式已越来越不利于声乐事业的发展，它束缚了人们对声乐这门艺术的艺术性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的作品《西班牙民歌七首》，是他的代表性声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好的指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练的实践中,由于缺少对声带振动问题积极而细微的感知和研究,从而产生了一如声音的挤、卡、沙、抖、暗的现象,乃至出现声带息肉、小结等病变,从而延长声乐训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利于事业的发展，它束缚了人们对这的性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的作品《西班牙民歌七首》，是他的代表性作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好的指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在练的实践中,由于缺少对带振动问题积极而细微的感知和研究,从而产生了一系列诸如音的挤、卡、沙、抖、暗的现象,乃至出现带息肉、小结等病变,从而延长练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

俗成的“三种唱法”划分模式已越来越不利于乐事业的发展，它束缚了人们对乐这门艺术的艺术性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的作品《西班牙民歌七首》，是他的代表性乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好的指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在乐训练的实践中,由于缺少对带振动问题积极而细微的感知和研究,从而产生了一系列音的挤、卡、沙、抖、暗的现象,乃至出现带息肉、小结等病变,从而延长乐训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于声乐事业发展，它束缚了人们对声乐这门性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅品《西班牙民歌七首》，是他代表性声乐，对其进行分析与研究，对于了解法雅以及演唱此部品都有良好指导。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

声乐训练实践中,由于缺少对声带振动问题积极而细微感知和研究,从而产生了一系列诸如声音挤、卡、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利声乐事业的发展，它束缚对声乐这门艺术的艺术性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的作品《西班牙民歌七首》，是他的代表性声乐作，对其进行分析与研究，对解法雅以及演唱此部作品都有良好的指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练的实践,缺少对声带振动问题积极而细微的感知和研究,从而产生一系列诸如声音的挤、卡、沙、抖、暗的现象,乃至出现声带息肉、小结等病变,从而延长声乐训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利于声乐事业的发展，它束缚了人们对声乐这门艺术的艺术性思想性的表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的《西班牙民歌七首》，是他的代表性声乐，对其进行分析与研究，对于了解法雅以及演唱此部有良好的指导用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练的实践中,由于缺少对声带振动问题积极而细微的感知研究,从而产生了一系列诸如声音的挤、卡、沙、抖、暗的现象,乃至出现声带息肉、小结等病变,从而延长声乐训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于声乐业发展，它束缚了人们对声乐这门艺术艺术性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性声乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好指导作用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在声乐训练实践中,由于缺少对声带题积极而细微感知和研究,从而产生了一系列诸如声音挤、卡、沙、抖、暗现象,乃至出现声带息肉、小结等病变,从而延长声乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利于事业的发展，它束缚了人们这门艺术的艺术和思想的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的品《西班牙民歌七首》，是他的代表，进行分析与研究，于了解法雅以及演唱此部品都有良好的指导用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在训练的实践中,由于缺少带振动问题积极而细微的感知和研究,从而产生了一系列诸如音的挤、卡、沙、抖、暗的现象,乃至出现带息肉、小结等病变,从而延长训练的过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成“三种唱法”划分模式已越来越不利于乐事业发展，它束缚了人们对乐这门性和思想性认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅作品《西班牙民歌七首》，是他代表性乐作，对其进行分析与研究，对于了解法雅以及演唱此部作品都有良好指导作。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

乐训练实践中,由于缺少对带振动问题积极而细微感知和研究,从而产生了一系列诸如音挤、卡、沙、抖、暗现象,乃至出现带息肉、小结等病变,从而延长乐训练过程。

Traditional identification as to the three styles in singing performance has been tostada in the development in music arts.

约定俗成的“三种唱法”划分模式已越来越不利于事业的发展，它束缚了人们这门艺术的艺术性和思想性的认识和表现。

It will be directive to know well about Falla and extemportize this piece of masterpiece regarding to analysis and investigation.

法雅的品《西班牙民歌七首》，是他的代表性，其进行分析与研究，于了解法雅以及演唱此部品都有良好的指导用。

The issue of vocal cords vibrating in voice training is easy to lead to making voice dark,dry and coarse,raucity even caused pathological changes such as vocal cords polyp.

在训练的实践中,由于缺少带振动问题积极而细微的感知和研究,从而产生了一系列诸如音的挤、卡、沙、抖、暗的现象,乃至出现带息肉、小结等病变,从而延长训练的过程。