The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿独舞的女性舞蹈演员展示了墩煌，绘于魏唐朝代，当驼运载着货物通过路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时代的大家构成了盛唐音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞演员……）和一个穿丝绸独舞女性舞蹈演员展示了墩煌壁画，它绘画于唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代唐朝，唐太宗身边还有一个谏，存在不会使唐明皇失色，正是他们和所有那个时代大家构成了盛唐之音辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技……）穿丝绸独舞的女性舞蹈展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有臣魏征，魏征的存在不会使唐明皇失色，正是他们所有那时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝的女性蹈演员展示了墩煌壁画，它绘画于魏朝代，当驼运载着货物通过丝之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的朝，身边还有一个谏臣魏征，魏征的存在不会使明皇失色，正是他们和所有那个时代的大家构成了盛之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们飞杂技演员……）和一个穿丝绸独舞女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代唐朝，唐太宗身边还有一个谏臣魏，魏在不使唐明皇失色，正是他们和所有那个时代大家构成了盛唐之音辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个谏臣魏征，魏征的存在不会使唐明皇失色，正是他们和所有那个时代的大了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技……）穿丝绸独舞的女性舞蹈展示了墩煌壁画，它绘画于魏唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有臣魏征，魏征的存在不会使唐明皇失色，正是他们所有那时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的杂技演员……）和一个穿丝绸独舞的女性舞蹈演员展示墩煌壁画，它绘画于魏朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的朝，太宗身边还有一个谏臣魏征，魏征的存在不会使明皇失色，正是他们和所有那个时代的大家构成之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们两国人民间的友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞的员……）和一个穿丝绸独舞的女性舞蹈员展示了墩煌壁画，它绘画于唐朝代，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建时代的唐朝，唐太宗身边还有一个征，征的存在不会使唐明皇失色，正是他们和所有那个时代的大家构成了盛唐之音的辉煌。

The friendly contacts between our two peoples can go back to the Tang Dynasty.

我们民间友好往来可以追溯到唐朝。

Flying acrobats and a lone beribboned female dancer recalled the grottos of Dunhuang, painted in the Wei and Tang dynasties when camel caravans plied the Silk Road.

飞天（他们叫做会飞杂技演员……）和一个穿丝绸独舞女性舞蹈演员展示了墩煌壁画，它绘画于魏唐朝，当驼运载着货物通过丝绸之路。

Even if in the Tang era of the feudal epoch, the Emperor Tangtaizong had a expostulation liegeman who named Weizheng beside him.He would not make the Emperor Tangtaizong in the shade.

即便是在封建唐朝，唐太宗身边还有一个谏臣魏征，魏征存在不会使唐明皇失色，正是他们和所有那个大家构成了盛唐之音辉煌。