These are the opening chords of a sonata.
这些是奏鸣曲的弦。
These are the opening chords of a sonata.
这些是奏鸣曲的弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在半音化的
程中,半音中音关系
弦连接的性质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为源于教会的“阿们终止”,是指从下属音
弦到主音
弦的
,IV–I。
明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始和弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声半音化的进程中,半音中音关系和弦连接的性生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时
源于教会的“阿们终止”,是指从下属音和弦到主音和弦的进行,IV–I。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若现问题,欢迎向我们指正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始和弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声半音化的进程中,半音中音关系和弦连接的发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时
被
于教会的“阿们终止”,是指从下属音和弦到主音和弦的进行,IV–I。
声明:以上例句、词分类均由互联网资
自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始和弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声化的进程
,
关系和弦连接的性质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为源于教会的“阿们终止”,是
属
和弦到主
和弦的进行,IV–I。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始和弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声半化的进程中,半
中
和弦连接的性质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格
,有时也被称为源于教会的“阿
”,是指从下属
和弦到主
和弦的进行,IV–I。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我指正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始和。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声的进程中,
中
关系和
连接的性质也发生了一些
。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为源于教会的“阿们终止”,是指从下属
和
和
的进行,IV–I。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
These are the opening chords of a sonata.
这些是奏鸣曲起
。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在声半音化
程中,半音中音关系
连接
性质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为源于教会
“阿们终止”,是指从下属音
到主音
,IV–I。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件观点;若发现问题,欢迎向我们指正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
半
化的进程中,半
中
关系
连接的性质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为源于教会的“阿们终止”,是指从下属
到主
的进行,IV–I。
明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们指正。
These are the opening chords of a sonata.
这些是奏鸣曲的起始和弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声化的进程
,
关系和弦连接的性质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为源于教会的“阿们终止”,是
属
和弦到主
和弦的进行,IV–I。
声明:以上例句、词性分类均由互联网资源自动生成,部分未经过人工审核,其表达内容亦不代表本软件的观点;若发现问题,欢迎向我们正。
These are the opening chords of a sonata.
这些是奏鸣曲起始和弦。
That the note relation in semitone and chords sequence gained attention and usage step by step along with the harmony chromaticism.
在和声半音化进程中,半音中音关系和弦连
质也发生了一些
化。
The plagal cadence, sometimes known as the Amen cadence from ecclesiastical use, is the progression from the chord of the subdominant to the tonic, IV - I.
格终止,有时也被称为
会
“阿们终止”,是指从下属音和弦到主音和弦
进行,IV–I。
声明:以上例句、词分类均由互联网资
自动生成,部分未经过人工审核,其表达内容亦不代表本软件
观点;若发现问题,欢迎向我们指正。