Thomas Carlyle, notwithstanding his tedious rhetoric, is a master of the sublime in prose style.
尽管·
尔的语言花俏冗长, 但是他仍
失为一位令人崇敬的散文文体大
。
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To an American this attitude of oscillating reserve seemed more eccentric than the reckless hostility of Brougham or Carlyle, and more mischievous, for he never could be sure what preposterous commonplace it might encourage.
对于一个美国人来说,这种摇摆不定的态度似乎比布鲁厄姆或卡莱尔鲁莽的敌意更古怪,也更恶作剧,因为他永远无法确定它会助长什么荒谬的陈词滥调。